Showing posts with label The Web. Show all posts
Showing posts with label The Web. Show all posts

Thursday, February 21, 2013

Artie Vierkant - Similar Objects

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Artie Vierkant - Similar Objects, 2011
www.similarobjects.com



Similar Objects by Artie Vierkant is an extensive website of images culled from the internet. The web based work uses Google's 'search by image' function to collate images which are visually similar. The softwares algorithmic detection groups together objects that have similarities due to their pictorial composition.

"I think this kind of virtual-physical relationship in particular interests me, the degree of augmentation or representation that succeeds in actually changing how we think about or interact with an object. This way we can concentrate on building layers of infrastructure that effectively create new spaces."





Thursday, February 7, 2013

David Raymond Conroy - Hauling/It is not the past but the present that determines the future

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Hauling/It is not the past but the present that determines the future
2011/12

David Raymond Conroy's Hauling… is video loop presenting a back-and forth unfurling of hoarded images culled from style blogs. Alongside this a separate audio monologue astutely describes and discusses the conditions of online browsing and the resulting anxiety that these new conditions of looking, connecting and interacting create. 

The work also exists as sculpture, presented on a monitor as part of an assemblage featuring distressed jeans and alcohol-free beer.

Hauling/It is not the past but the present that determines the future, was screened at Open File, Virtual Space/Digital Trace, Grand Union, December 2011

Watch the video at or-bits.com.



Sunday, February 3, 2013

Joe Hamilton - Hyper Geography

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Joe Hamilton - Hyper Geography
blog, 2011
Hyper Geography is an online project by Australian based artist Joe Hamilton. 

Taking the format of an endless stream of images, the blog is a complex puzzle of appropriated content compiled in square shaped formats that connect and overlap with the images next to it.   

Conflating organic, human and technological references, the majority of the content illustrates the blurring definitions of 'environment' and habitat in the contemporary world. Perhaps the individual images can be understood as a sort of hybrid that links man to its digital environment, but the seamless flow of one image to the next also alludes to the relentless distribution of images online. Hamilton addresses the act of blogging as an artistic medium as well as a platform for display.


"What in the history of thought may be seen as a confusion or an over-lapping is often the precise moment of the dramatic impulse, since it is because the meanings and the experiences are uncertain and complex that the dramatic mode is more powerful, includes more, than could any narrative or exposition: not the abstracted order, though its forms are still present, but at once the order, the known meanings, and that experience of order and meanings which is at the very edge of the intelligence and the senses, a complex interaction which is the new and dramatic form." — Williams, R. (1980) Ideas of Nature in Problems in Materialism and Culture. London: Verso

http://hypergeography.tumblr.com/


Saturday, November 24, 2012

Hannah Sawtell - Vendor

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Hannah Sawtell Vendor
2012
Installation view, Bloomberg SPACE, London
Hannah Sawtell's Vendor, currently on display at Bloomberg SPACE, London, is one half of a 2-part exhibition completed after the artist's residency in the financial forecaster's office spaces. Paired with Osculator at London's ICA, this part of the coupled work consists of an installation of images culled from the internet displayed in purpose-built units which sit in between being sculptures in their own right, or stands for the display of the images they house.

This slick inventory of images, each mounted with a clinical precision in trade-show-display-styled structures on plates of toughened glass reminiscent of screens, relate different digitally rendered 'surfaces' and other found or appropriated 'contemporary material'. Sawtell sets up a slippage between the sensory and the virtual, a conflation of our senses of sight and touch.

Mirroring the experiencing of web-browsing through its dizzying force-feed of seemingly un-related, disparate imagery, Sawtell disrupts the relation of 2- and 3-dimensional disrupting our reading of these flat surfaces by presenting them in space. We have a sense  sense of a fleeting engagement with a mass of information. The work reflects and reflects upon the circulation of data and imagery in the contemporary digital age.

Vendor is on display at Bloomberg SPACE, London, until January 12th 2013.